James Balmont FeaturesThe Genre-Hopping Cinema of Yasuzō Masumura 09/04/2024 By James Balmont FeaturesHellraiser’s Haunted Shooting Location: The Dark History of Dollis Hill 24/10/2023 By James Balmont FeaturesYūsaku Matsuda: Game-Changing Maverick 16/06/2023 By James Balmont FeaturesThe Street Fighter and the nasty world of Japanese ultra-violence 14/04/2023 By James Balmont FeaturesFrom Bertolucci to Brian de Palma – the great scores of Ryuichi Sakamoto 17/02/2023 By James Balmont FeaturesJu-on: The Curse and four other Y2K J-Horror movies you may have missed 13/12/2022 By James Balmont Features5 underrated films from Japan’s Lost Decade of Cinema 21/10/2022 By James Balmont FeaturesSix under-seen classics of post-war Japanese cinema 23/09/2022 By James Balmont FeaturesWhere Do I Start With Shaw Brothers? 11/04/2022 By James Balmont FeaturesOldboy: how did South Korea’s biggest breakthrough become such a hit? 09/03/2022 By James Balmont