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A courtroom in the US.
Ominous music plays.
A woman holding a piece of paper directs her comments towards the judge.
I have a petition here signed by 743 people against Norman Bates release.
A shower head with running water.
We see Marion from the first Psycho film in the shower.
The judge speaks.
Madam, please sit down. This matter is being represented by the district attorney.
Marion continues to clean herself. We hear the door behind her open.
Norman was not convicted of murder. He was found not guilty by reason of insanity.
The woman complains to people around her in the courtroom.
Don't you realise they're going to release a homicidal maniac?
Sit down Mrs Loomis.
We focus on the shadowy figure moving towards Marion behind the shower curtain.
It's all too obvious our courts protect the criminals, not their victims.
The shower curtain is peeled back and the figure appears with a large knife. The Psycho theme plays. Marion screams.
In the courtroom, the judge is delivering his verdict as we see the back of Norman's head.
Norman Bates is judged restored to sanity and is ordered released forthwith.
Norman slowly turns to his right.
It's 22 years later and Norman Bates is coming home.
The Bates Motel sign in blue neon. Underneath the word ""Vacancy"" flashes.
Norman stands in a doorway talking to a young woman, Mary. It is night and they are both bathed in a blue light.
I own a motel not too far from here and you'd be welcome to spend the night in one of the empty rooms if you'd like.
Mary looks cautious.
Norman stands at the bottom of the stairs.
Good night Mary.
And he's back in business.
Norman turns the light off.
Mary sits up in bed reading.
We see she has propped a chair up against the door so Norman can't get in.
A phone rings.
Norman is on the phone.
Who is this? My mother is dead.
The camera spins around to show a woman's figure in shadow.
A man smoking a cigarette looks on in shock.
A hand raises a knife in the air.
Three policemen open up the boot of a car and turn away in disgust.
Norman is in the kitchen reading a note. He suddenly drops a fryer into a pool of fat which splashes onto a cook's arm. He screams in pain.
Mary looks on scared.
Norman is talking to a couple of picture in the kitchen.
I'm telling you there was a note on that wheel for my dead mother.
A kettle whistles.
Mary, the cook and an old lady look on at Norman in the kitchen.
Norman is outside the motel. He looks up at a window in shock. He has a paintbrush in his hand that he drops to the floor.
Norman enters a room. The door shuts behind him and he tries to open it but finds it locked.
Norman it couldn't be your mother.
A coffin is lifted into the ground.
A hand reaches out to another person's shoulder.
Norman presses against a circular window but can't open it.
It had to be someone else.
A figure stands in a dark room by a lit doorway.
A figure passes by a window.
Mary sits up in bed.
A phone rings.
Mary watches through a peephole.
I trust her.
Mary sees something terrifying and screams. She falls off a chair and falls to the floor.
Norman talks on the phone.
She would never do anything to hurt me.
Mary, holding a weapon, reaches out and pushes a door.
A hand moves with a knife.
Norman has his back up against a door. Mary walks towards him.
No! She'll kill you. I know she will.
A dark basement. A figure tries to get towards a window.
Look out behind you!
Feet slip on logs.
A hand runs its fingers down the window in vain.
A shadowy figure walks down a hallway.
A hand grabs a wrist.
Mary turns around.
Norman talks on the phone.
No way, I won't do that. You can't make me.
Norman stands alone in a room with a scared expression.
An arm flops to the floor.
Mary wakes up suddenly from her sleep.
Norman talks on the phone.
Kill her?
Norman stands in front of Bates Hotel on a cloudy night. At the window, a yellow light turns on and we can see a figure.
22 years later Norman Bates is home.
A caption reads: Psycho II
It's starting again.
Arrow Video
WE ALL GO A LITTLE MAD SOMETIMES…
Shattering expectations and shocking audiences around the world, Alfred Hitchcock’s Psycho changed the face of cinema in 1960. It remains one of the most iconic and influential movies ever made.
Twenty three years later, Australian filmmaker Richard Franklin (Patrick, Road Games) boldly followed in the master’s footsteps and directed Psycho II, a sequel that not only delivered on the promise of his earlier films, but also lived up to Hitchcock’s original. Norman Bates (Anthony Perkins) is declared sane and released from the facility in which he was being held, despite the complaints of Lila Loomis (née Crane, Vera Miles) sister of Norman’s most famous victim. All Norman wants to do is live quietly and productively as a normal member of society. But is returning to the house he once shared with his mother, and running the motel that was the site of so many murders, really a good idea? Is he cured, or will he kill again?
Psycho III would see Anthony Perkins himself take the franchise’s reins for his directorial debut, bringing a stylish flair that suggested his time working with not only Alfred Hitchcock, but Orson Welles and Ken Russell had been well spent. A fallen nun (Diana Scarwid as Maureen Coyle), a sleazy drifter (Jeff Fahey as Duane Duke), and a curious reporter looking for a scoop (Roberta Maxwell as Tracy Venables) all arrive at the Bates Motel and ‘Mother’ is less than happy, especially when Norman begins to fall in love. Meanwhile, Psycho IV: The Beginning, written by Joseph Stefano (screenwriter of the 1960 original) and directed by master of horror Mick Garris, returns to the primal scene to show us how it all began in Anthony Perkins’ final franchise appearance. Rehabilitated and happily married, Norman Bates has finally escaped from the overbearing influence of his abusive mother. But his wife is pregnant, and Norman finds himself afraid that the child will inherit his mental illness. When he hears talk radio host Fran Ambrose (CCH Pounder) discussing the topic of matricide, Norman calls in under a false name, to tell his story. Starring Henry Thomas (E.T.) as young Norman and Olivia Hussey (Black Christmas) as his mother, Norma.
Presented together for the first time in the UK on 4K Ultra HD Blu-ray, featuring all new restorations of Psycho II, III and IV from the original camera negatives, Arrow Video invites you back inside the Bates Motel and wishes you a very pleasant stay.
Product Features
4K ULTRA HD BLU-RAY LIMITED EDITION CONTENTS
- 4K Ultra HD Blu-ray (2160p) presentations of all four films
- New 4K restorations of Psycho II, Psycho III and Psycho IV from the original camera negatives
- Original lossless mono and 5.1 audio options for Psycho, stereo and 5.1 options for Psycho II and Psycho III, and stereo audio options for Psycho IV
- Optional English subtitles for the deaf and hard of hearing
- Reversible sleeves featuring original and newly commissioned artwork by Matt Griffin
- Double-sided posters for each film featuring original and newly commissioned artwork by Matt Griffin
- 9 postcard sized reproduction art cards
- 120-page perfect bound collector’s book featuring new writing by film critics John-Paul Checkett and Johnny Mains plus select archival material
Disc 1 – PSYCHO (4K ULTRA HD BLU-RAY)
- Audio Commentary with Stephen Rebello, author of Alfred Hitchcock and the Making of Psycho
- The Making of Psycho documentary
- In the Master's Shadow, Hitchcock’s Legacy featurette
- Hitchcock / Truffaut audio interview with scenes from the movie
- Newsreel Footage: The Release of Psycho featurette
- The Shower Scene: With & Without Music featurette
- The Shower Sequence, storyboards by Saul Bass image gallery
- Psycho Sound featurette
- The Psycho Archives image gallery
- Posters and Psycho Ads image gallery
- Lobby Cards image gallery
- Behind the Scenes Photographs image gallery
- Publicity Shots image gallery
- Theatrical trailer
- Re-Release trailers
Disc 2 – PSYCHO II (4K ULTRA HD BLU-RAY)
- New audio commentary by film critics Michael Brooke and Johnny Mains
- Archival audio commentary by screenwriter Tom Holland
- Behind the Curtain: The Masters of Horror on Psycho, panel discussion with screenwriter Tom Holland and Psycho IV director Mick Garris moderated by Robert V. Galluzzo
- Giving Bloch His Due, interview with Chet Williams, author of Psycho: Sanitarium on the legacy of Norman Bates’ creator, author Robert Bloch
- Anthony Perkins TV interview
- Anthony Perkins audio interview
- Richard Franklin audio interview
- Richard Franklin On Set featurette
- Richard Franklin scene commentary
- A sequel to a Classic featurette
- The House on the Hill featurette
- Personality Profile: Anthony Perkins featurette
- Personality Profile: Richard Franklin featurette
- Still Crazy After all these Years
- Behind the scenes featurette
- Anthony Perkins interview
- Vera Miles interview
- Janet Leigh interview
- Jerry Goldsmith demo
- Trailers & TV spots
- Image gallery
- Audio press kit/promotional record
- Record gallery
Disc 3 – PSYCHO III (4K ULTRA HD BLU-RAY)
- New Commentary by film critics Michael Brooke and Johnny Mains
- Archival audio commentary by screenwriter Charles Edward Pogue
- Carnival of the Heart, a new visual essay by film scholar Alexandra Heller Nicholas
- Scream of Love, a new interview with composer Carter Burwell
- Watch the Guitar, archival interview with actor Jeff Fahey
- Patsy's Last Night, archival interview with actor Katt Shea
- Mother's Maker, archival interview with special make-up effects artist Michael Westmore
- Body Double, archival interview with actress Brinke Stevens
- Original electronic press kit
- Alternate opening
- Theatrical trailer
- TV spot
- Image gallery
Disc 4 – PSYCHO IV: THE BEGINNING (4K ULTRA HD BLU-RAY)
- 4K (2160p) Ultra HD presentation of the film in director’s preferred 1.78:1 aspect ratio
- Archival audio commentary with director Mick Garris, actor Henry Thomas, and actress Olivia Hussey
- Death by Strings, new visual essay by author and critic Guy Adams on music across the franchise
- The Making of Mother, an archival interview with make-up effects artist Tony Gardner
- Behind-the-scenes footage
- A Look at the Scoring of Psycho IV, archival featurette
- Trailer
Disc 5 - PSYCHO IV TV Aspect Ratio (4K ULTRA HD BLU-RAY – LIMITED EDITION EXCLUSIVE)
- 4K (2160p) Ultra HD presentation of the film in 1.33:1 TV aspect ratio
- 109 + 113 + 93 + 96 mins approx. Total: 411 mins approx.
- Alfred Hitchcock
- Richard Franklin
- Anthony Perkins
- Mick Garris
- 18
- Janet Leigh
- Anthony Perkins
- Vera Miles
- Meg Tilly
- Diana Scarwid
- Jeff Fahey
- CCH Pounder
- Henry Thomas
- 1.85:1 / 1.78:1 / 1.33:1
- English
English SDH
- 5
The Psycho Collection Limited Edition 4K Ultra HD
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RRP: £69.99
£55.00
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Release Date: 25 September 2023
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A courtroom in the US.
Ominous music plays.
A woman holding a piece of paper directs her comments towards the judge.
I have a petition here signed by 743 people against Norman Bates release.
A shower head with running water.
We see Marion from the first Psycho film in the shower.
The judge speaks.
Madam, please sit down. This matter is being represented by the district attorney.
Marion continues to clean herself. We hear the door behind her open.
Norman was not convicted of murder. He was found not guilty by reason of insanity.
The woman complains to people around her in the courtroom.
Don't you realise they're going to release a homicidal maniac?
Sit down Mrs Loomis.
We focus on the shadowy figure moving towards Marion behind the shower curtain.
It's all too obvious our courts protect the criminals, not their victims.
The shower curtain is peeled back and the figure appears with a large knife. The Psycho theme plays. Marion screams.
In the courtroom, the judge is delivering his verdict as we see the back of Norman's head.
Norman Bates is judged restored to sanity and is ordered released forthwith.
Norman slowly turns to his right.
It's 22 years later and Norman Bates is coming home.
The Bates Motel sign in blue neon. Underneath the word ""Vacancy"" flashes.
Norman stands in a doorway talking to a young woman, Mary. It is night and they are both bathed in a blue light.
I own a motel not too far from here and you'd be welcome to spend the night in one of the empty rooms if you'd like.
Mary looks cautious.
Norman stands at the bottom of the stairs.
Good night Mary.
And he's back in business.
Norman turns the light off.
Mary sits up in bed reading.
We see she has propped a chair up against the door so Norman can't get in.
A phone rings.
Norman is on the phone.
Who is this? My mother is dead.
The camera spins around to show a woman's figure in shadow.
A man smoking a cigarette looks on in shock.
A hand raises a knife in the air.
Three policemen open up the boot of a car and turn away in disgust.
Norman is in the kitchen reading a note. He suddenly drops a fryer into a pool of fat which splashes onto a cook's arm. He screams in pain.
Mary looks on scared.
Norman is talking to a couple of picture in the kitchen.
I'm telling you there was a note on that wheel for my dead mother.
A kettle whistles.
Mary, the cook and an old lady look on at Norman in the kitchen.
Norman is outside the motel. He looks up at a window in shock. He has a paintbrush in his hand that he drops to the floor.
Norman enters a room. The door shuts behind him and he tries to open it but finds it locked.
Norman it couldn't be your mother.
A coffin is lifted into the ground.
A hand reaches out to another person's shoulder.
Norman presses against a circular window but can't open it.
It had to be someone else.
A figure stands in a dark room by a lit doorway.
A figure passes by a window.
Mary sits up in bed.
A phone rings.
Mary watches through a peephole.
I trust her.
Mary sees something terrifying and screams. She falls off a chair and falls to the floor.
Norman talks on the phone.
She would never do anything to hurt me.
Mary, holding a weapon, reaches out and pushes a door.
A hand moves with a knife.
Norman has his back up against a door. Mary walks towards him.
No! She'll kill you. I know she will.
A dark basement. A figure tries to get towards a window.
Look out behind you!
Feet slip on logs.
A hand runs its fingers down the window in vain.
A shadowy figure walks down a hallway.
A hand grabs a wrist.
Mary turns around.
Norman talks on the phone.
No way, I won't do that. You can't make me.
Norman stands alone in a room with a scared expression.
An arm flops to the floor.
Mary wakes up suddenly from her sleep.
Norman talks on the phone.
Kill her?
Norman stands in front of Bates Hotel on a cloudy night. At the window, a yellow light turns on and we can see a figure.
22 years later Norman Bates is home.
A caption reads: Psycho II
It's starting again.
Arrow Video
WE ALL GO A LITTLE MAD SOMETIMES…
Shattering expectations and shocking audiences around the world, Alfred Hitchcock’s Psycho changed the face of cinema in 1960. It remains one of the most iconic and influential movies ever made.
Twenty three years later, Australian filmmaker Richard Franklin (Patrick, Road Games) boldly followed in the master’s footsteps and directed Psycho II, a sequel that not only delivered on the promise of his earlier films, but also lived up to Hitchcock’s original. Norman Bates (Anthony Perkins) is declared sane and released from the facility in which he was being held, despite the complaints of Lila Loomis (née Crane, Vera Miles) sister of Norman’s most famous victim. All Norman wants to do is live quietly and productively as a normal member of society. But is returning to the house he once shared with his mother, and running the motel that was the site of so many murders, really a good idea? Is he cured, or will he kill again?
Psycho III would see Anthony Perkins himself take the franchise’s reins for his directorial debut, bringing a stylish flair that suggested his time working with not only Alfred Hitchcock, but Orson Welles and Ken Russell had been well spent. A fallen nun (Diana Scarwid as Maureen Coyle), a sleazy drifter (Jeff Fahey as Duane Duke), and a curious reporter looking for a scoop (Roberta Maxwell as Tracy Venables) all arrive at the Bates Motel and ‘Mother’ is less than happy, especially when Norman begins to fall in love. Meanwhile, Psycho IV: The Beginning, written by Joseph Stefano (screenwriter of the 1960 original) and directed by master of horror Mick Garris, returns to the primal scene to show us how it all began in Anthony Perkins’ final franchise appearance. Rehabilitated and happily married, Norman Bates has finally escaped from the overbearing influence of his abusive mother. But his wife is pregnant, and Norman finds himself afraid that the child will inherit his mental illness. When he hears talk radio host Fran Ambrose (CCH Pounder) discussing the topic of matricide, Norman calls in under a false name, to tell his story. Starring Henry Thomas (E.T.) as young Norman and Olivia Hussey (Black Christmas) as his mother, Norma.
Presented together for the first time in the UK on 4K Ultra HD Blu-ray, featuring all new restorations of Psycho II, III and IV from the original camera negatives, Arrow Video invites you back inside the Bates Motel and wishes you a very pleasant stay.
Product Features
4K ULTRA HD BLU-RAY LIMITED EDITION CONTENTS
- 4K Ultra HD Blu-ray (2160p) presentations of all four films
- New 4K restorations of Psycho II, Psycho III and Psycho IV from the original camera negatives
- Original lossless mono and 5.1 audio options for Psycho, stereo and 5.1 options for Psycho II and Psycho III, and stereo audio options for Psycho IV
- Optional English subtitles for the deaf and hard of hearing
- Reversible sleeves featuring original and newly commissioned artwork by Matt Griffin
- Double-sided posters for each film featuring original and newly commissioned artwork by Matt Griffin
- 9 postcard sized reproduction art cards
- 120-page perfect bound collector’s book featuring new writing by film critics John-Paul Checkett and Johnny Mains plus select archival material
Disc 1 – PSYCHO (4K ULTRA HD BLU-RAY)
- Audio Commentary with Stephen Rebello, author of Alfred Hitchcock and the Making of Psycho
- The Making of Psycho documentary
- In the Master's Shadow, Hitchcock’s Legacy featurette
- Hitchcock / Truffaut audio interview with scenes from the movie
- Newsreel Footage: The Release of Psycho featurette
- The Shower Scene: With & Without Music featurette
- The Shower Sequence, storyboards by Saul Bass image gallery
- Psycho Sound featurette
- The Psycho Archives image gallery
- Posters and Psycho Ads image gallery
- Lobby Cards image gallery
- Behind the Scenes Photographs image gallery
- Publicity Shots image gallery
- Theatrical trailer
- Re-Release trailers
Disc 2 – PSYCHO II (4K ULTRA HD BLU-RAY)
- New audio commentary by film critics Michael Brooke and Johnny Mains
- Archival audio commentary by screenwriter Tom Holland
- Behind the Curtain: The Masters of Horror on Psycho, panel discussion with screenwriter Tom Holland and Psycho IV director Mick Garris moderated by Robert V. Galluzzo
- Giving Bloch His Due, interview with Chet Williams, author of Psycho: Sanitarium on the legacy of Norman Bates’ creator, author Robert Bloch
- Anthony Perkins TV interview
- Anthony Perkins audio interview
- Richard Franklin audio interview
- Richard Franklin On Set featurette
- Richard Franklin scene commentary
- A sequel to a Classic featurette
- The House on the Hill featurette
- Personality Profile: Anthony Perkins featurette
- Personality Profile: Richard Franklin featurette
- Still Crazy After all these Years
- Behind the scenes featurette
- Anthony Perkins interview
- Vera Miles interview
- Janet Leigh interview
- Jerry Goldsmith demo
- Trailers & TV spots
- Image gallery
- Audio press kit/promotional record
- Record gallery
Disc 3 – PSYCHO III (4K ULTRA HD BLU-RAY)
- New Commentary by film critics Michael Brooke and Johnny Mains
- Archival audio commentary by screenwriter Charles Edward Pogue
- Carnival of the Heart, a new visual essay by film scholar Alexandra Heller Nicholas
- Scream of Love, a new interview with composer Carter Burwell
- Watch the Guitar, archival interview with actor Jeff Fahey
- Patsy's Last Night, archival interview with actor Katt Shea
- Mother's Maker, archival interview with special make-up effects artist Michael Westmore
- Body Double, archival interview with actress Brinke Stevens
- Original electronic press kit
- Alternate opening
- Theatrical trailer
- TV spot
- Image gallery
Disc 4 – PSYCHO IV: THE BEGINNING (4K ULTRA HD BLU-RAY)
- 4K (2160p) Ultra HD presentation of the film in director’s preferred 1.78:1 aspect ratio
- Archival audio commentary with director Mick Garris, actor Henry Thomas, and actress Olivia Hussey
- Death by Strings, new visual essay by author and critic Guy Adams on music across the franchise
- The Making of Mother, an archival interview with make-up effects artist Tony Gardner
- Behind-the-scenes footage
- A Look at the Scoring of Psycho IV, archival featurette
- Trailer
Disc 5 - PSYCHO IV TV Aspect Ratio (4K ULTRA HD BLU-RAY – LIMITED EDITION EXCLUSIVE)
- 4K (2160p) Ultra HD presentation of the film in 1.33:1 TV aspect ratio
- 109 + 113 + 93 + 96 mins approx. Total: 411 mins approx.
- Alfred Hitchcock
- Richard Franklin
- Anthony Perkins
- Mick Garris
- 18
- Janet Leigh
- Anthony Perkins
- Vera Miles
- Meg Tilly
- Diana Scarwid
- Jeff Fahey
- CCH Pounder
- Henry Thomas
- 1.85:1 / 1.78:1 / 1.33:1
- English
English SDH
- 5
Customer Reviews
Top Customer Reviews
Where reviews refer to foods or cosmetic products, results may vary from person to person. Customer reviews are independent and do not represent the views of The Hut Group.
Psycho Collection 4k
What a stunning set. 5 discs, a rigid box with a clear slipcover with a nice book with over 100 pages. Quality from Arrow as always. It's also fantastic to see Arrow step up there game when it comes to the packaging the set arrived in, absolutely brilliant. Thankyou Arrow!!!
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