It might be strongly argued that one of the more unique British Genre films produced in horror's heady 1980s heyday was imaginative writer/director Harley Cokeliss's demonically eccentric, visually inventive, playfully outlandish, generously practical Fx-laden, deliciously unpredictable 'Dream Demon' that proved to be a Big Box VHS knockout horror-hit upon its initial release, but, sadly, the grisly, gut-churning shocker slipped into relative obscurity, and the luminous, considerably more than welcome Arrow Video 2K restoration highlighting many of the nightmare-inducing film's eye-poppingly audacious, brain-fizzingly bonkers set-pieces, and pleasingly exposing a wickedly warped wealth of devilish detail once lost in the frightful fug of fuzzy analogue video. Prim, beautiful upwardly docile Diana (Jemma Redgrave) is sheltered, privileged, overly timorous young debutante anxiously awaiting her marriage to no less picture perfect war hero partner Oliver (Mark Greenstreet) who, perhaps, hides a nefarious secret to rival that of the ominous abode Diana has been given by her wealthy socialite parents. The wonderfully torrid text by talented Hammer alumnus Christopher Wicking & Harley Cokeliss is a zesty, neo-Gothic delight, boldly eschewing most of the misogynistic stalk and slash tropes for a richly maniacal mine of mentally tormented maleficence! The giddy grand Guignol grandeur of 'Dream Demon' succeeds where all too many other low-budget Horror Films fail, being more imaginative, and forward-thinking, not merely utilizing talented actors Kathleen Wilhoite, and Jemma Redgrave as mere glamorous knife-fodder, but as spirited, 3-dimensional characters one can empathize with, their greatly imperilled, demon-infested journey of Diana & Jenny ( Kathleen Wilhoite) making for a deeper, more rewarding experience than e might initially expect. While 'Dream Demon' clearly gleans a smidgen of inspiration from 'Nightmare on Elm Street, and 'Bad Dreams' it expresses a searingly sinister singularity all of its own, in an increasingly monotonous era of enervating jump-scares, and tawdrily uninspired horror remakes, its majestically malign lustre shines ever brighter today! 

It was a blind buy for me. I thought the movie was pretty good ; the transfer is impeccable and the special features are very interesting. All in all, a great purchase.